{"id":5589,"date":"2022-01-28T13:52:08","date_gmt":"2022-01-28T11:52:08","guid":{"rendered":"https:\/\/turuntaidemuseo.fi\/?p=5589"},"modified":"2022-01-28T13:52:08","modified_gmt":"2022-01-28T11:52:08","slug":"meddelande-omar-victor-diop","status":"publish","type":"post","link":"https:\/\/turuntaidemuseo.fi\/sv\/meddelande-omar-victor-diop","title":{"rendered":"Omar Victor Diop 28.1-22.5.2022"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” 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tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” bottom_margin=”-1%” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”OMAR VICTOR DIOP” font_container=”tag:h1|font_size:35|text_align:left|color:%23000000|line_height:50px” use_theme_fonts=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]\u00c5bo konstmuseum 28.1. \u2013 22.5.2022<\/strong><\/p>\n

V\u00e4lkommen p\u00e5 pressvisning to 27.1.2022 kl. 11 till \u00c5bo konstmuseum (Auragatan 26). <\/strong><\/p>\n

Utst\u00e4llningen \u00e4r \u00f6ppen f\u00f6r inbjudna g\u00e4ster torsdagen 27.1.2022\u00a0 kl. 13\u201319. <\/strong>Vi ber er iaktta s\u00e4kerhetsanvisningarna som g\u00e4ller coronasituationen. Coronapass kr\u00e4vs.<\/p>\n

Omar Victor Diop<\/strong>\u00a0(f. 1980) \u00e4r en senegalesisk samtidskonstn\u00e4r, vars ansl\u00e5ende fotografier f\u00e5ngar samtida afrikanska sensibiliteter, ofta med fokus p\u00e5 omst\u00f6pning av historien, representationer av diasporiska erfarenheter och svart motst\u00e5nd i ett globalt perspektiv. I sin produktion f\u00f6renar Diop fotokonst, bildkonst, mode, design och portr\u00e4ttfotografi. Hans viktigaste verktyg \u00e4r det konstn\u00e4rliga sj\u00e4lvportr\u00e4ttet, som han anv\u00e4nder f\u00f6r att lyfta fram komplexa fr\u00e5gor om representationspolitik, gestaltning av gemenskap och sj\u00e4lvskapande. Karakteristiskt f\u00f6r Diops produktion \u00e4r ett omsorgsfullt iscensatt, dramatiskt bildgalleri, d\u00e4r konstn\u00e4ren sj\u00e4lv \u00e4r b\u00e5de protagonist och interlokut\u00f6r.<\/p>\n

Utst\u00e4llningen presenterar f\u00f6r f\u00f6rsta g\u00e5ngen Diops mest framst\u00e5ende projekt: Allegoria, Diaspora<\/em> och Liberty<\/em>, som visas tillsammans med Windrush<\/em>, ett best\u00e4llningsverk av Autograph som inte har st\u00e4llts ut tidigare.<\/p>\n

Diaspora<\/em>\u00a0(2014) baserar sig p\u00e5 v\u00e4sterl\u00e4ndska 1500\u20131800-talsportr\u00e4tt av svarta personer som p\u00e5 sin tid n\u00e5dde en betydelsefull st\u00e4llning vid de europeiska hoven, inom vetenskapen eller i politiken och samh\u00e4llslivet men som ofta saknas i den traditionella historieskrivningen. Serien, som i h\u00f6g grad grundar sig p\u00e5 historiska m\u00e5lningar och leker med anknytningar till v\u00e5r egen tid, lyfter fram prominenta afrikaner fr\u00e5n de senaste fyrahundra \u00e5ren som levt ett exceptionellt liv i diaspora.<\/p>\n

Liberty<\/em>\u00a0(2017), med underrubriken A Universal Chronology of Black Protest<\/em>, ger en nytolkning av de historiskt betydelsefulla protestr\u00f6relserna i de svartas frihetskamp, alltifr\u00e5n kampen mot apartheid i Sydafrika till medborgarr\u00e4ttskampanjerna i Amerika, Karibien och Europa och dagens Black Lives Matter<\/em>-politik. I sina verk granskar Diop ocks\u00e5 vad som f\u00f6renar och k\u00e4nnetecknar dessa fortg\u00e5ende globala r\u00f6relser i kampen f\u00f6r j\u00e4mst\u00e4lldhet och m\u00e4nskliga r\u00e4ttigheter.<\/p>\n

Diops nyaste projekt Allegoria<\/em>, som premi\u00e4rvisades p\u00e5 Paris Photo i november 2021, behandlar med fantasins hj\u00e4lp klimatkrisen och dess inverkningar i det globala syd, speciellt p\u00e5 den afrikanska kontinenten. De livfulla, metaforiska och paradisliknande fotografierna visar konstn\u00e4ren sj\u00e4lv i ett omsorgsfullt uppbyggt, imponerande bildgalleri med b\u00e5de flora och fauna. Bilderna l\u00e5nar helt \u00f6ppet element ur den klassiska m\u00e5larkonsten, den kyrkliga ikonografin och den v\u00e4stafrikanska studioportr\u00e4ttraditionen samt ur naturvetenskapliga l\u00e4rob\u00f6cker och uppslagsverk. Konstn\u00e4ren reflekterar \u00f6ver m\u00e4nsklighetens \u00f6den efter naturkatastroferna och milj\u00f6f\u00f6rst\u00f6ringen och fr\u00e5gar hur vi med gemensamma anstr\u00e4ngningar ska kunna trygga en mer livsduglig framtid.<\/p>\n

\u00c5r 2018 erbj\u00f6d Autograph Diop att skapa tv\u00e5 nya konstverk f\u00f6r att uppm\u00e4rksamma att det g\u00e5tt 70 \u00e5r sedan fartyget HMT Empire Windrush<\/em> anl\u00e4nde till Storbritannien. Windrush<\/em>-fotografierna kommenterar ikoniska arkivbilder i Autographs samling och visar v\u00e4stindiska migranter som kommit fr\u00e5n Karibien f\u00f6r att skapa sig ett nytt liv i ett nytt land p\u00e5 1940-talet. De var fortfarande fyllda av hopp och f\u00f6rv\u00e4ntan, som dock snart f\u00f6rbyttes mot en h\u00e5rd verklighet med diskriminering, sv\u00e5righeter och arbetsl\u00f6shet.<\/p>\n

Utst\u00e4llningen p\u00e5 \u00c5bo konstmuseum har genomf\u00f6rts och producerats i samarbete med Autograph, London och Galerie MAGNIN-A, Paris. Den baserar sig p\u00e5 en utst\u00e4llning som h\u00f6lls \u00e5r 2018 i Autograph, London, och kuraterades av Ren\u00e9e Mussai<\/strong> och Mark Sealy<\/strong>. Den vandringsutst\u00e4llning som nu visas har sammanst\u00e4llts av Ren\u00e9e Mussai, och den nya publikationen Omar Victor Diop<\/em> (5 Continents Editions, 2021) ger belysande bakgrundsuppgifter.[\/vc_column_text][vc_column_text]Ytterligare information<\/strong>
\nvikarierande museichef Mia Haltia
\n+ 358 50 400 3246
\nmia.haltia@turuntaidemuseo.fi<\/a>
\nabokonstmuseum.fi<\/a>
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