{"id":5026,"date":"2021-11-15T16:21:29","date_gmt":"2021-11-15T14:21:29","guid":{"rendered":"https:\/\/turuntaidemuseo.fi\/?p=5026"},"modified":"2021-11-15T16:21:50","modified_gmt":"2021-11-15T14:21:50","slug":"meddelande-fuyuko-matsui","status":"publish","type":"post","link":"https:\/\/turuntaidemuseo.fi\/sv\/meddelande-fuyuko-matsui","title":{"rendered":"Fuyuko Matsui: Regeneration of A Breached Thought 19.11.2021\u20139.1.2022"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” 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column_padding_phone=”inherit” column_padding_position=”all” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” bottom_margin=”-1%” column_element_spacing=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Fuyuko Matsui: Regeneration of a Breached Thought” font_container=”tag:h1|font_size:35|text_align:left|color:%23000000|line_height:50px” use_theme_fonts=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]\u00c5bo konstmuseum, M\u00f6rkrum 19.11.2021\u20139.1.2022<\/strong><\/p>\n

Pressvisning torsdag 18.11.2021 kl. 11 p\u00e5 \u00c5bo konstmuseum (Auragatan 26). Konstn\u00e4ren \u00e4r n\u00e4rvarande vid evenemanget. V\u00e4lkommen!<\/strong><\/p>\n

Utst\u00e4llningen \u00e4r \u00f6ppen f\u00f6r inbjudna g\u00e4ster torsdagen 18.11 kl. 17\u201319. <\/strong><\/p>\n

 <\/p>\n

Fuyuko Matsui<\/strong>\u00a0skapar moderna feministiska tolkningar av traditionerna inom m\u00e5larkonsten och skr\u00e4ckestetiken i Japan. Hon bl\u00e5ser nytt liv i sp\u00f6kbilder som samtidigt \u00e4r k\u00e4nsliga och eteriska, groteska och v\u00e5ldsamma. I sitt hypnotiska videoverk Regeneration of a Breached Thought<\/em>\u00a0(2012) visar Matsui sitt eget ansikte i n\u00e4rbild n\u00e4r en luftstr\u00f6m f\u00e5r h\u00e5ret att bl\u00e5sa \u00f6ver hennes \u00f6gon och l\u00e4ppar. I en annan sekvens bubblar irisen upp ur hennes \u00f6gonvita, i en tredje springer en vit, rysk vinthund med ovanligt l\u00e5ng svans runt i en ring tills den faller ihop p\u00e5 marken. Verket f\u00f6refaller inte att ha n\u00e5gon egentlig intrig, utan handlingarna och tankarna binds samman av en framflytande ber\u00e4ttelse som v\u00e4cker till liv de betydelser som g\u00f6ms i dr\u00f6mmarnas omedvetna v\u00e4rld.<\/p>\n

Hundens svans far omkring p\u00e5 den vita duken, och Matsuis h\u00e5r, som tycks leva sitt eget liv, slingrar sig omkring hennes ansikte.\u00a0 Den ryska vinthunden \u00e4r ett motiv som Matsui ofta anv\u00e4nt sig av och det monsterlika h\u00e5ret \u00e5ter ses ofta i japansk konst och japanska filmer som symbol f\u00f6r sexualitet och f\u00f6r en sj\u00e4l som pl\u00e5gas av m\u00f6rkrets krafter. I den japanska kulturen ska h\u00e5ret vara v\u00e4lkammat. L\u00e5ngt h\u00e5r har av tradition sammankopplats med okontrollerade och farliga lustar, och d\u00e4rf\u00f6r finns det en hel m\u00e4ngd regler f\u00f6r hur den japanska kvinnans h\u00e5r ska se ut. Matsui \u00e4r sj\u00e4lv \u00f6vertygad om att de sorger man upplever i livet l\u00e4mnar sina minnessp\u00e5r ocks\u00e5 i h\u00e5ret.<\/p>\n

Ett vilt, otyglat och trassligt h\u00e5r leder in tankarna p\u00e5 Matsuis feminism. Matsui har sagt att hon bara beskriver kvinnor, eftersom hon som kvinna endast kan f\u00f6rst\u00e5 kvinnliga k\u00e4nslor. Hon har ocks\u00e5 talat om alla sm\u00e5 sm\u00e4rtsamheter som dagens kvinnor i Japan f\u00e5r utst\u00e5, f\u00f6r trots j\u00e4mst\u00e4lldhetsprincipen i landet har k\u00f6nsrollerna bibeh\u00e5llits och \u00e4r alltj\u00e4mt betydande och begr\u00e4nsande.<\/p>\n

En blind, aristokratisk jakthund dr\u00f6mmer om att kunna springa omkring l\u00e4tt och fritt. Matsui h\u00e5ller \u00f6gonen slutna som om hon k\u00e4nde n\u00e5got obehagligt p\u00e5 sitt ansikte. En bild som liknar ett bl\u00f6dande \u00f6ga \u00e4r som direkt ur Tanizaki Jun’ichir\u00f4s <\/strong>Shunkinsh\u00f4, <\/em>som \u00e4r en ber\u00e4ttelse om en blind kotol\u00e4rare eller ur Luis<\/strong>\u00a0Bu\u00f1uels<\/strong>\u00a0och Salvador Dalis <\/strong>ber\u00f6mda surrealistiska svartvita film Den andalusiska hunden<\/em>. Vems dr\u00f6mmar ser vi egentligen p\u00e5, vems tankar \u00e5terskapar vi? De syner som Matsui orkestrerar r\u00f6r sig n\u00e5gonstans i terr\u00e4ngen mellan det privata och det gemensamma, det fysiska och det psykiska.<\/p>\n

Kommission\u00e4r f\u00f6r\u00a0Regeneration of a Breached Thought <\/em>\u00e4r Rolex (Japan) Ldt, som ocks\u00e5 underst\u00f6tt verket. Utst\u00e4llningen har f\u00e5tt st\u00f6d av Undervisnings- och kulturministeriet.<\/p>\n

Fuyuko Matsui (\u677e\u4e95\u51ac\u5b50, f. 1974) \u00e4r en japansk bildkonstn\u00e4r som beh\u00e4rskar s\u00e5v\u00e4l det v\u00e4sterl\u00e4ndska s\u00e4ttet att m\u00e5la som den traditionella japanska Nihonga-<\/em>tekniken. Hennes verk baserar sig p\u00e5 den psykoanalys som hon sj\u00e4lv genomg\u00e5tt och p\u00e5 hennes egna k\u00e4nslor. De ber\u00e4ttar ocks\u00e5 om hennes intresse f\u00f6r teman som f\u00f6rlust, makt, underkuvande och trauma.[\/vc_column_text][vc_column_text]Ytterligare information<\/strong>
\namanuens Annina Sir\u00e9n
\n+358 50 3568 800 \/ annina.siren@turuntaidemuseo.fi<\/a>
\nabokonstmuseum.fi<\/a>
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