{"id":3980,"date":"2021-02-03T11:56:25","date_gmt":"2021-02-03T09:56:25","guid":{"rendered":"https:\/\/turuntaidemuseo.fi\/?p=3980"},"modified":"2021-09-22T12:20:43","modified_gmt":"2021-09-22T09:20:43","slug":"sigrid-schauman-11-2-23-5-2021","status":"publish","type":"post","link":"https:\/\/turuntaidemuseo.fi\/sv\/sigrid-schauman-11-2-23-5-2021","title":{"rendered":"SIGRID SCHAUMAN 11.2 \u2013 23.5.2021"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][vc_column column_padding=”padding-1-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color=”#ffffff” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”1px” column_border_color=”#000000″ column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”publicerad 3.2.2021″ font_container=”tag:h3|text_align:center|color:%23000000″ use_theme_fonts=”yes”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color=”#ffffff” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” bottom_margin=”-1%” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”SIGRID SCHAUMAN” font_container=”tag:h1|font_size:35|text_align:left|color:%23000000|line_height:50px” use_theme_fonts=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]\u00c5bo konstmuseum 11.2 \u2013 23.5.2021<\/strong><\/p>\n

Pressinformation onsdag 10.2.2021 kl. 11 p\u00e5 \u00c5bo konstmuseum (Auragatan 26). Utst\u00e4llningen presenteras av utst\u00e4llningens kurator, \u00e4ldre amanuens Christian Hoffmann.<\/strong><\/p>\n

P\u00e5 grund av epidemil\u00e4get anordnas ingen vernissage.<\/strong><\/p>\n

Under v\u00e5ren fylls \u00c5bo konstmuseum av verk som utg\u00f6r k\u00e4rnan i Sigrid Schaumans<\/strong> (1877\u20131979) produktion: m\u00e5lningar som g\u00e5r mot allt intensivare kolorism och allt mer eteriska. Schauman n\u00e5dde en ny konstn\u00e4rlig blomstring vid 70 \u00e5rs \u00e5lder och inspirerades av den franska modernismen och kolorismen, speciellt av impressionismen och postimpressionismen. Utst\u00e4llningen presenterar 120 m\u00e5lningar fr\u00e5n \u00e5ren 1903\u20131961 och \u00e4r d\u00e4rmed den st\u00f6rsta Schauman-utst\u00e4llningen i \u00c5bo genom tiderna. Verk har l\u00e5nats av 40 olika h\u00e5ll runtom i Finland och en stor del \u00e4r s\u00e4llan utst\u00e4llda arbeten fr\u00e5n privata samlingar.<\/p>\n

Det viktigaste i Schaumans konst \u00e4r f\u00e4rgerna och ljuset, och den centrala motivkretsen \u00e4r landskapet. Redan i ungdomen s\u00f6kte sig konstn\u00e4ren till Italien och Frankrike, och resorna till de h\u00e4r l\u00e4nderna fortsatte \u00e4nda in p\u00e5 \u00e5lderdomen. Hemlandets natur inspirerade henne inte; hon ans\u00e5g den alltf\u00f6r enformig. Schauman \u00e5tergav alltid kulturlandskap medan \u00f6demarksromantiken var fr\u00e4mmande f\u00f6r henne. Vinterlandskapen i hennes produktion \u00e4r ocks\u00e5 f\u00e5. Under andra v\u00e4rldskrigets undantagstillst\u00e5nd uppt\u00e4ckte hon Helsingfors parker och tr\u00e4dg\u00e5rdar som hon i sina m\u00e5lningar kl\u00e4dde i sydl\u00e4ndsk f\u00e4rgprakt. De fungerade som ett slags surrogat f\u00f6r yppigheten och f\u00e4rgrikedomen i Frankrike och Italien.<\/p>\n

Schauman var internationellt inriktad redan tack vare sin bakgrund. Hennes far innehade en h\u00f6g officerspost och han var kommenderad till olika platser i det stora Ryssland. Sigrid f\u00f6ddes i Ukraina och bodde i Polen under st\u00f6rsta delen av sin barndom. Fast\u00e4n hon h\u00f6rde till de privilegierade kretsarna blev bristen p\u00e5 uppmuntran fr\u00e5n familjen, penningknappheten och ett misslyckat k\u00e4rleksf\u00f6rh\u00e5llande hinder i v\u00e4gen n\u00e4r hon skulle v\u00e4lja konstn\u00e4rsyrket till sin levnadsbana och arbeta som konstn\u00e4r. F\u00f6r att kunna f\u00f6rs\u00f6rja sig och sin dotter arbetade Schauman i tre decennier som konstkritiker vid tv\u00e5 svenskspr\u00e5kiga dagstidningar i Helsingfors. D\u00e4rf\u00f6r kunde hon m\u00e5la n\u00e4stan enbart om somrarna, och f\u00f6rst efter pensioneringen i slutet av 1940-talet kunde hon \u00e4gna sig helt \u00e5t sitt konstn\u00e4rskap. D\u00e5 blev resultatet ocks\u00e5 en f\u00f6rv\u00e5nansv\u00e4rt intensiv och diger produktion som f\u00f6rutom ljusm\u00e4ttade landskap ocks\u00e5 omfattar f\u00f6renklade, n\u00e4stan vision\u00e4ra sj\u00e4lvportr\u00e4tt, portr\u00e4tt och nakenstudier.<\/p>\n

Konstn\u00e4ren hann fylla 101 \u00e5r och m\u00e5lade fortfarande som 90-\u00e5ring. F\u00f6rutom de internationella str\u00f6mningarna p\u00e5verkade ocks\u00e5 den starkt f\u00f6rs\u00e4mrade synen hennes uttryckss\u00e4tt som gick mot m\u00e5leri i stora drag med undvikande av detaljer. I egenskap av kritiker f\u00f6rstod hon betydelsen av den icke-f\u00f6rest\u00e4llande konsten \u00e4ven om hon som konstn\u00e4r aldrig gick s\u00e5 l\u00e5ngt som till ren abstraktion. Hennes drygt 70 \u00e5r l\u00e5nga konstn\u00e4rsbana \u00e4r ett skolexempel p\u00e5 s\u00e5v\u00e4l beg\u00e5vning som oeftergivlighet. \u201dMan m\u00e5ste ju t\u00e4nka p\u00e5 sin framtid och sin utveckling\u201d l\u00f6d hennes svar p\u00e5 en f\u00f6rundrad fr\u00e5ga d\u00e5 hon som n\u00e4stan 72-\u00e5ring gav sig av p\u00e5 en m\u00e5larresa till s\u00f6dra Frankrike. Den v\u00e4lfunna repliken ger en god bild av konstn\u00e4rens viljestyrka, m\u00e5lmedvetenhet och \u00f6ppna sinne.[\/vc_column_text][vc_column_text]Ytterligare information<\/strong><\/p>\n

\u00e4ldre amanuens Christian Hoffmann
\n+358 2 2627 097 \/ christian.hoffmann@turuntaidemuseo.fi<\/a><\/p>\n

museichef Kari Immonen
\n+358 44 312 2256 \/ kari.immonen@turuntaidemuseo.fi<\/a>
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