{"id":3406,"date":"2020-09-11T18:07:30","date_gmt":"2020-09-11T15:07:30","guid":{"rendered":"https:\/\/turuntaidemuseo.fi\/?p=3406"},"modified":"2021-09-22T13:07:36","modified_gmt":"2021-09-22T10:07:36","slug":"meddelande_birger-kaipiainen","status":"publish","type":"post","link":"https:\/\/turuntaidemuseo.fi\/sv\/meddelande_birger-kaipiainen","title":{"rendered":"BIRGER KAIPIAINEN 18.9.2020\u201317.1.2021"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][vc_column column_padding=”padding-1-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color=”#ffffff” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”1px” column_border_color=”#000000″ column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”publicerad 8.9.2020″ font_container=”tag:h3|text_align:center|color:%23000000″ use_theme_fonts=”yes”][\/vc_column][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/4″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”padding-5-percent” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color=”#ffffff” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” bottom_margin=”-1%” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”BIRGER KAIPIAINEN” font_container=”tag:h1|font_size:35|text_align:left|color:%23000000|line_height:50px” use_theme_fonts=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]\u00c5bo konstmuseum 18.9.2020 \u2013 17.1.2021<\/strong><\/p>\n

Pressinformation torsdag 17.9.2020 kl. 11 p\u00e5 \u00c5bo konstmuseum (Auragatan 26, \u00c5bo). Utst\u00e4llningen presenteras av kurator Mia Haltia.
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Under h\u00f6sts\u00e4songen f\u00e5r \u00c5bo konstmuseums bes\u00f6kare njuta av formgivaren och keramikern Birger Kaipiainens<\/strong> (1915\u20131988) sagoskimrande produktion. Kaipiainen h\u00f6r till de mest uppskattade och internationellt mest framg\u00e5ngsrika keramikkonstn\u00e4rerna i Finland, och utst\u00e4llningen ger en utm\u00e4rkt bild av hans konstn\u00e4rliga utveckling alltifr\u00e5n 1940-talet till karri\u00e4rens sista \u00e5r p\u00e5 1980-talet. St\u00f6rsta delen av de ungef\u00e4r 70 utst\u00e4llda relieferna, skulpturerna, prydnadstallrikarna och -faten h\u00f6r till kommerser\u00e5det Ky\u00f6sti Kakkonens samling.<\/p>\n

Birger Kaipiainen b\u00f6rjade studera scenografi vid Ateneum \u00e5r 1933 men avlade till sist examen som keramik- och dekorationskonstn\u00e4r \u00e5r 1937. Samma \u00e5r inledde han sitt arbete p\u00e5 konstavdelningen vid Arabiafabriken. Kaipiainen arbetade vid Arabia hela sitt liv, med undantag f\u00f6r n\u00e5gra \u00e5r utomlands. Inom industrianl\u00e4ggningen var konstavdelningen en trygg hamn f\u00f6r den konstn\u00e4rliga produktionen och spelade en central roll d\u00e5 den finska konstindustrin er\u00f6vrade v\u00e4rlden p\u00e5 1950- och 1960-talet. \u00c4ven Kaipiainens arbete fick internationellt erk\u00e4nnande: p\u00e5 triennalen i Milano 1951 tilldelades han ett hederspris (Dipl\u00f4me d\u2019Honneur) samt Grand Prix \u00e5r 1960 och p\u00e5 v\u00e4rldsutst\u00e4llningen i Montreal 1967 fick han likas\u00e5 Grand Prix. I hemlandet tilldelades denne \u201dkeramikens furste\u201d Pro Finlandia-medaljen \u00e5r 1963 och professors titel \u00e5r 1977.<\/p>\n

Trots att Kaipiainen arbetade vid en industrikoncern s\u00e5g han sig framf\u00f6rallt som bildkonstn\u00e4r och skiljde sig fr\u00e5n f\u00f6rsta b\u00f6rjan fr\u00e5n de samtida keramikerna genom sin personliga stil. Barndomssomrarna i Sordavala \u2013 naturen, det ortodoxa Karelens visuella rikedom och n\u00e4rbel\u00e4gna Valamo kloster \u2013 p\u00e5verkade honom p\u00e5 ett avg\u00f6rande s\u00e4tt och senare \u00e5terfinns ymnigheten, dekorativiteten och naturtematiken ocks\u00e5 i hans keramik. Under modernismens tid betonades det praktiska och asketiska, men Kaipiainen gjorde en dygd av sk\u00f6nheten och dekorativiteten. Som konstn\u00e4r gick Kaipiainen motstr\u00f6ms: hans bildv\u00e4rld andas romantik och de l\u00e4ckert ymniga verken leder in i en sagoomspunnen v\u00e4rld.<\/p>\n

Hans stilutveckling inbegrep ocks\u00e5 en mera grafiskt betonad period p\u00e5 1950-talet, varefter blommorna, frukterna, klockorna och f\u00e5glarna blev de centrala temana i hans konst \u2013 och f\u00f6r dem \u00e4r ju Kaipiainen ocks\u00e5 mest k\u00e4nd. Samtidigt b\u00f6rjade hans verk tala till betraktarens alla sinnen; de var inte bara vackra att se p\u00e5 utan lockade ocks\u00e5 till att r\u00f6ra, smaka och lukta. F\u00f6r Kaipiainen var arbetet en passion och han fortsatte att arbeta varje dag ocks\u00e5 efter pensioneringen. P\u00e5 1980-talet uppenbarar sig en scenliknande sal i hans verk, den erinrar om legendariska B\u00f6kars g\u00e5rd, som \u00e4gdes av konstn\u00e4rens goda v\u00e4n Armi Ratia<\/strong>. Den evigt unge konstn\u00e4rens sista arbeten \u00e4r som en inbjudan till en avslutningsfest.<\/p>\n

Museet arrangerar en serie specialvisningar av utst\u00e4llningen. Bakgrund ger den nya upplagan av FD Harri Kalhas<\/strong> succ\u00e9bok Birger Kaipiainen<\/em> (2013, 2019). Det rikt illustrerade verket \u00e4r den f\u00f6rsta djuplodningen i Birger Kaipiainens konst.<\/p>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_column_text]Ytterligare information<\/strong>
\namanuens Mia Haltia
\ntel. + 358 50 400 3246
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