{"id":3398,"date":"2020-09-11T17:53:55","date_gmt":"2020-09-11T14:53:55","guid":{"rendered":"https:\/\/turuntaidemuseo.fi\/?p=3398"},"modified":"2021-09-22T12:27:57","modified_gmt":"2021-09-22T09:27:57","slug":"meddelande_fake-star","status":"publish","type":"post","link":"https:\/\/turuntaidemuseo.fi\/sv\/meddelande_fake-star","title":{"rendered":"Al-Nawas & Henriksson: Fake Star, Studio 18.9-22.11.2020"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” 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column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][image_with_animation image_url=”418″ animation=”None” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default” max_width=”50%” max_width_mobile=”default”][\/vc_column_inner][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/2″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” bottom_margin=”-1%” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”Ahmed Al-Nawas & Minna Henriksson: Fake Star” font_container=”tag:h1|font_size:35|text_align:left|color:%23000000|line_height:50px” use_theme_fonts=”yes”][\/vc_column_inner][\/vc_row_inner][vc_column_text]\u00c5bo konstmuseum, Studion 18.9\u2013 22.11.2020<\/strong><\/p>\n

Pressvisning torsdag 17.9.2020 kl. 11 p\u00e5 \u00c5bo konstmuseum (Auragatan 26). Konstn\u00e4rerna \u00e4r n\u00e4rvarande vid evenemanget. V\u00e4lkommen!<\/strong><\/p>\n

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I mars 1899 fl\u00f6g ett eldklot \u00f6ver Helsingfors och ett tag trodde man redan att jordens underg\u00e5ng stod f\u00f6r d\u00f6rren. Meteoriten f\u00f6ll ned i isen p\u00e5 Bjurb\u00f6leviken i Borg\u00e5. I pressen tolkades meteoriten som ett budskap, s\u00e4nt fr\u00e5n det civiliserade V\u00e4sterlandet, om landets befrielse fr\u00e5n ryskt \u00f6verv\u00e4lde. Tolkningen baserade sig p\u00e5 ett fornsvenskt ord \u2018bjur\u2019 som betyder b\u00e4ver (p\u00e5 ryska bobr). Nedfallsplatsen Bjurb\u00f6le (p\u00e5 ryska Bobrikovo) satte fart p\u00e5 spekulationerna och man antog att generalguvern\u00f6r Bobrikovs<\/strong> n\u00e4rbel\u00e4gna villa varit meteoritens ursprungliga m\u00e5l.<\/p>\n

Meteoriten b\u00e4rgades ur Bjurb\u00f6levikens djup och man tillverkade en gipskopia, som presenterades \u00e5r 1900 p\u00e5 v\u00e4rldsutst\u00e4llningen i Paris, den f\u00f6r v\u00e5rt lands historia dittills viktigaste expositionen. Kopian placerades mitt i den finska paviljongen och omgavs av kvalitetsverk som lyfte fram den finska konsten samt n\u00e4ringslivet, utbildningen och vetenskapen. Syftet var att \u00f6vertyga v\u00e4rlden om att Finland h\u00f6rde till de v\u00e4sterl\u00e4ndska civiliserade l\u00e4nderna. Bland de vetenskapliga topprestationer som visades fanns Geografiska S\u00e4llskapets atlas \u00f6ver Finland, den f\u00f6rsta i sitt slag, samt av s\u00e4llskapet publicerade forskningsresultat inom rashygienen.\u00a0 Med stolthet presenterade man ocks\u00e5 m\u00e4sterverk av tidens viktigaste konstn\u00e4rer och arkitekter, bland annat m\u00e5lningar av Akseli Gallen-Kallela <\/strong>och den av honom planerade ryan Liekki<\/em>.<\/p>\n

Finlands paviljong skapade en illusion av en m\u00e4ktig stenbyggnad men var i sj\u00e4lva verket till stor del hopbyggd av presenningar och gips. Den egyptiske filologen Ahmad Zaki Pasha<\/strong> tar i sin samtida ber\u00e4ttelse om v\u00e4rldsutst\u00e4llningen ocks\u00e5 upp autenticitetsproblematiken genom att j\u00e4mf\u00f6ra den traditionella textiltekniken och -ornamentiken i Finland och Fr\u00e4mre Orienten. Fake Star<\/em> reflekterar \u00f6ver f\u00f6rh\u00e5llandet mellan det \u00e4kta och det kopierade i en kontext som handlar om fiktiv nationell samh\u00f6righet. Utst\u00e4llningens medelpunkt \u00e4r Al-Nawas <\/strong>och Henrikssons<\/strong> tuftade rya med visuella l\u00e5n fr\u00e5n Gallen-Kallelas konst. Till utst\u00e4llningen har man ocks\u00e5 lyckats\u00a0 l\u00e5na den ursprungliga gipskopia av Bjurb\u00f6lemeteoriten som visades\u00a0 p\u00e5 utst\u00e4llningen i Paris samt en fr\u00e5n den finska paviljongen bevarad s\u00e4llsynt vitrin.<\/p>\n

Vi tackar: Centret f\u00f6r konstfr\u00e4mjande \/ Nylands konstkommission, Konstskolan Maa, Mellersta Finlands museum, Naturhistoriska centralmuseet Luomus \/ de geologiska samlingarna, Undervisnings- och kulturministeriet, Selina V\u00e4liheikki och Tiina Saivo \/ Aalto-universitetet.<\/p>\n

*<\/p>\n

Konstn\u00e4ren\/kuratorn Ahmed Al-Nawas (f. 1980) och bildkonstn\u00e4ren Minna Henriksson (f. 1976) har arbetat tillsammans sedan \u00e5r 2015. De granskar historiens g\u00e5ng kritiskt och politiserar den med konstens uttrycksmedel. Deras verk baserar sig p\u00e5 arkivforskning och handarbetet spelar ofta en viktig roll i dem.<\/p>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][vc_column_text]Ytterligare information<\/strong>
\namanuens Annina Sir\u00e9n
\ntel. +358 50 3568 800
\nannina.siren@turuntaidemuseo.fi<\/p>\n

https:\/\/independent.academia.edu\/AhmedAlNawas<\/a>
\nhttp:\/\/minnahenriksson.com\/<\/a>[\/vc_column_text][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][nectar_btn size=”large” button_style=”see-through-2″ hover_color_override=”#333333″ hover_text_color_override=”#ffffff” icon_family=”default_arrow” url=”\/sv\/pressbilder” text=”Pressbilder” margin_top=”15″ margin_right=”15″][nectar_btn size=”large” button_style=”see-through-2″ hover_color_override=”#333333″ hover_text_color_override=”#ffffff” icon_family=”default_arrow” url=”\/sv\/meddelanden” text=”Tillbaka till meddelanden” margin_top=”15″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”5%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” centered_text=”true” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” column_border_radius=”none” column_link_target=”_self” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid” bg_image_animation=”none”][vc_custom_heading text=”F\u00f6lj oss i sociala medier” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][divider line_type=”No Line” custom_height=”30″][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” icon_fontawesome=”fa fa-facebook-official” url=”https:\/\/www.facebook.com\/turkuartmuseum\/”][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” icon_fontawesome=”fa fa-instagram” url=”https:\/\/www.instagram.com\/turkuartmuseum\/”][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” icon_fontawesome=”fa fa-twitter-square” url=”https:\/\/twitter.com\/turkuartmuseum”][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” icon_fontawesome=”fa fa-pinterest-square” url=”https:\/\/fi.pinterest.com\/turkuartmuseum\/”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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