{"id":12534,"date":"2026-09-18T11:55:35","date_gmt":"2026-09-18T08:55:35","guid":{"rendered":"https:\/\/turuntaidemuseo.fi\/?p=12534"},"modified":"2026-09-18T11:55:35","modified_gmt":"2026-09-18T08:55:35","slug":"meddelande-man-yau","status":"publish","type":"post","link":"https:\/\/turuntaidemuseo.fi\/sv\/meddelande-man-yau","title":{"rendered":"Man Yau: Divan 2.10\u201322.11.2026"},"content":{"rendered":"[vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”3%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” 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column_border_style=”solid”][\/vc_column_inner][\/vc_row_inner][image_with_animation image_url=”12515″ image_size=”full” max_width=”100%” max_width_mobile=”default” animation_type=”entrance” animation=”None” animation_movement_type=”transform_y” hover_animation=”none” alignment=”” border_radius=”none” box_shadow=”none” image_loading=”default”][divider line_type=”No Line” custom_height=”30″][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bottom_padding=”3%” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” bottom_margin=”-1%” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”Man Yau: Divan” font_container=”tag:h1|font_size:35|text_align:left|color:%23000000|line_height:50px” use_theme_fonts=”yes” css=””][\/vc_column_inner][\/vc_row_inner][vc_column_text css=”” text_direction=”default” el_class=”teksti”]\u00c5bo konstmuseum, Studio\u00a02.10\u201322.11.2026<\/strong><\/p>\n

Pressvisning torsdag 1.10.2026 kl. 11 vid \u00c5bo konstmuseum (Auragatan 26)<\/u><\/strong>
\nVernissage torsdag 1.10.2026 kl. 17\u201319<\/u><\/strong>
\nKonstn\u00e4ren n\u00e4rvarar vid b\u00e5da tillf\u00e4llena.<\/strong><\/p>\n

Poesiperformance: F\u00f6rfattare och estradpoet Niko Hallikainens <\/strong>Fainting Room<\/strong><\/em>\u00a0till\u00e4gnad Man Yaus skulpturer torsdagen den 1.10 kl. 18 och fredagen den 2.10 kl. 18. Fritt intr\u00e4de.<\/strong><\/p>\n

Inom den v\u00e4sterl\u00e4ndska konsthistorien \u00e4r den p\u00e5 en divan liggande kvinnokroppen ett \u00e5terkommande motiv, i vilket vila och sysslol\u00f6shet v\u00e4vs samman med att vara f\u00f6rem\u00e5l f\u00f6r blicken, makt och beg\u00e4r. I synnerhet inom 1800-talets orientalism kopplade odalisken \u2013 en vilande eller liggande kvinna \u2013 kvinnokroppen till den v\u00e4sterl\u00e4ndska blickens fantasi om den exotiska, sensuella och ouppn\u00e5eliga andre. I Man Yaus verk \u00e4r detta arrangemang omv\u00e4nt: kroppen \u00e4r inte l\u00e4ngre placerad p\u00e5 m\u00f6beln, utan den f\u00f6rvandlas till material, yta, och en del av m\u00f6beln.<\/p>\n

Verket self-portrait<\/em> (2026) \u00e4r en metaforisk viloplats som f\u00f6renar en bronssilhuett och bilder av konstn\u00e4rens egen kropp, som br\u00e4nts fast under glasyren. Huden blir ett material, som har t\u00e4njts ut till den grad att blicken inte l\u00e4ngre urskiljer divandynornas m\u00f6nster fr\u00e5n huden som vilar p\u00e5 dem. Kroppen blir en del av kompositionen; l\u00e5ret placerar sig i det gyllene snittet och de blod\u00e5dror som pulserar under huden mister sin betydelse. K\u00f6ttet blir ornament, lika dekorativt som dynornas rosm\u00f6nster.<\/p>\n

Skulpturen Sea, swallow me (a study of Anne Marie Carl-Nielsen\u2019s mermaid [1921]) <\/em>(2026) p\u00e5minner om ett bord och \u00e4r en studie av den danska skulpt\u00f6ren Anne Marie Carl-Nielsens<\/strong> verk. Carl-Nielsens dramatiska sj\u00f6jungfru, som just stigit ur vattnet med ett f\u00f6rskr\u00e4ckt ansiktsuttryck och som med \u00f6ppen mun kippar efter andan, kan tolkas som en avbildning av f\u00f6rlust och hj\u00e4rtesorg. Samtidigt har man sett en stark livslust och vilja att \u00f6verleva i sj\u00f6jungfruns anlete \u2013 sm\u00e4rtan stoppar henne inte, utan hon f\u00f6rs\u00f6ker andas och forts\u00e4tta.<\/p>\n

\u00c5terskapandet av verket innebar f\u00f6r Yau att hon m\u00e5ste behandla sin egen f\u00f6rlust och dess sm\u00e4rta genom kroppsligt skapande. Under processen l\u00f6sg\u00f6r sig sj\u00f6jungfrun fr\u00e5n sin ursprungliga form och blir till n\u00e5got mellan kropp, f\u00f6rem\u00e5l och bild i utst\u00e4llningen. Sj\u00f6jungfruns kropp \u00e4r inte endast ett f\u00f6rem\u00e5l f\u00f6r blicken, utan ett material som b\u00e4r p\u00e5 sm\u00e4rta, beg\u00e4r och en forts\u00e4ttning p\u00e5 livet.<\/p>\n

\u201dD\u00e5 jag b\u00f6rjar hugga verket m\u00e4rker jag att det inte l\u00f6nar sig f\u00f6r mig att ta modell av min egen kropp. Egentligen \u00e4r endast sj\u00f6jungfruns h\u00e4nder m\u00e4nskliga, och \u00e4ven de \u00e4r vridna till den punkt d\u00e4r sm\u00e4rtan b\u00f6rjar. Anne Marie f\u00f6rs\u00f6kte inte heller skapa ett portr\u00e4tt, men d\u00e5 jag f\u00f6rest\u00e4ller mig hur hon arbetade p\u00e5 detta verk har jag sv\u00e5rt att t\u00e4nka mig att hennes egen sorg inte skulle ha varit en del av processen. Jag f\u00f6rvrider sj\u00f6jungfruns st\u00e4llning mer och mer och kapar av hennes huvud, s\u00e5 att hon ocks\u00e5 blir en m\u00f6bel.\u201d<\/em><\/p>\n

Man Yau <\/strong>(f. 1991) \u00e4r en skulpt\u00f6r fr\u00e5n Helsingfors, som i sin konst med hj\u00e4lp av skulptur behandlar teman kring identitet och upplevelsen av att bli exotiserad. Hon r\u00f6r sig smidigt mellan glas, silke, metall, keramik och marmor och anv\u00e4nder varje material som ett genomt\u00e4nkt spr\u00e5k f\u00f6r att avsl\u00f6ja de minnen och kulturellt skapade associationer som d\u00f6ljer sig i vardagliga f\u00f6rem\u00e5l.<\/p>\n

Utst\u00e4llningen har f\u00e5tt st\u00f6d av Greta och Alfred Runebergs Stiftelse, Finska Kulturfonden, Centret f\u00f6r konstfr\u00e4mjande, Museiverket och Tift\u00f6 Foundation. D\u00e4rtill vill konstn\u00e4ren rikta ett varmt tack till de som deltagit i produktionen: Aapo Hyttinen, Jade Kallio, Sam Gladstone, Simo Hirvonen, Taikalyhty Oy, Tanssiva Taidevalaja (Kirsi Siponen), Tomi Pelkonen, Tuomas Peltokangas, YSI och Veera Almila.<\/p>\n

Divan <\/em>st\u00e4lls i b\u00f6rjan av 2027 ut vid Margot Samel-galleriet i New York.<\/p>\n

manyau.fi<\/a>[\/vc_column_text][vc_column_text css=”” el_class=”teksti” text_direction=”default”]Ytterligare information<\/strong>
\namanuens Annina Sir\u00e9n
\n+358 50 3568 800
\nannina.siren@turuntaidemuseo.fi<\/a>
\n<\/a>abokonstmuseum.fi<\/a>[\/vc_column_text][vc_row_inner column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” text_align=”left” row_position=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” pointer_events=”all”][vc_column_inner column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” overflow=”visible” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][nectar_btn size=”large” button_style=”see-through-2″ hover_color_override=”#333333″ hover_text_color_override=”#ffffff” icon_family=”default_arrow” url=”https:\/\/turuntaidemuseo.fi\/sv\/pressbilder” text=”Pressbilder” margin_top=”15″ margin_right=”15″][nectar_btn size=”large” button_style=”see-through-2″ hover_color_override=”#333333″ hover_text_color_override=”#ffffff” icon_family=”default_arrow” url=”https:\/\/turuntaidemuseo.fi\/sv\/meddelanden” text=”Tillbaka till meddelanden” margin_top=”15″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=”full_width_background” full_screen_row_position=”middle” column_margin=”default” column_direction=”default” column_direction_tablet=”default” column_direction_phone=”default” bg_color=”#f8f8f8″ scene_position=”center” top_padding=”5%” bottom_padding=”5%” text_color=”dark” text_align=”left” row_border_radius=”none” row_border_radius_applies=”bg” row_position_desktop=”default” row_position_tablet=”inherit” row_position_phone=”inherit” overflow=”visible” overlay_strength=”0.3″ gradient_direction=”left_to_right” shape_divider_position=”bottom” bg_image_animation=”none” shape_type=””][vc_column column_padding=”no-extra-padding” column_padding_tablet=”inherit” column_padding_phone=”inherit” column_padding_position=”all” flex_gap_desktop=”10px” column_element_direction_desktop=”default” column_element_spacing=”default” centered_text=”true” desktop_text_alignment=”default” tablet_text_alignment=”default” phone_text_alignment=”default” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_backdrop_filter=”none” column_shadow=”none” column_border_radius=”none” column_link_target=”_self” column_position=”default” gradient_direction=”left_to_right” overlay_strength=”0.3″ width=”1\/1″ tablet_width_inherit=”default” animation_type=”default” bg_image_animation=”none” border_type=”simple” column_border_width=”none” column_border_style=”solid”][vc_custom_heading text=”F\u00f6lj oss” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” css=””][divider line_type=”No Line” custom_height=”30″][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” pointer_events=”all” icon_fontawesome=”fa fa-facebook-official” url=”https:\/\/www.facebook.com\/turkuartmuseum\/”][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” pointer_events=”all” icon_fontawesome=”fa fa-instagram” url=”https:\/\/www.instagram.com\/turkuartmuseum\/”][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” pointer_events=”all” icon_fontawesome=”fa fa-twitter-square” url=”https:\/\/twitter.com\/turkuartmuseum”][nectar_icon icon_family=”fontawesome” icon_style=”default” icon_color_type=”color_scheme” icon_color=”Accent-Color” open_new_tab=”true” icon_padding=”30px” pointer_events=”all” icon_fontawesome=”fa fa-pinterest-square” url=”https:\/\/fi.pinterest.com\/turkuartmuseum\/”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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